• Avers… The “Band”

    Like recently profiled indie poppers The Colourist – albeit quite a bit more “badass” –Richmond’s Avers are an act that PHILTHY MAG have been fans and friends of for quite some time.  The “super group” of sorts, composed of members of The Mason Brothers, Farm Vegas, Hypercolor, The Trillions,...
  • EULA: “without losing the intimacy… and still keeping that visceral edge.”

    Brooklyn trio EULA explore the boundaries of post-punk to an abrasively sexy degree… from the traditional, morbid intellectualism of the godfathers of the “movement” to the noisy, dissonant, and often downright scary experimentalists associated with post-no-wavers to the transgressive playfulness of Riot Grrrl… and many of the things in-between. ...
  • Leisure Cruise: “I guess we kind of became a band, but it was kind of an accident.”

    Leisure Cruise more or less began as an intellectually morbid joke.  (I wish I could  say that of more bands.) The band is comprised of Dave Hodge (best known for playing in Broken Social Scene and Bran Van 3000 and arranging for the likes of Janet Jackson and Carly...
  • Catching up with The Colourist, who Currently “Couldn’t be happier”

    We at PHILTHY MAG have been longtime fans, supporters, and friends of Orange County indie poppers The Colourist.  We first met in June of 2013, right after they released their debut 7” and we later caught up last March, prior to their first Philadelphia headlining show. ...
  • Dark Waves: Potential Nostalgia for Any Age

    Earlier this month Philadelphia experienced for the first-time, in-the-flesh, New Zealand musician Brooke Fraser in her radically new form.  The songstress, who has deservedly earned a title as a darling of Christian music and who began as a relatively traditional “singer/songwriter,” only to transform into a powerful princess of...
  • Heartless Bastards + Lagunitas + O+Positive

    Our friends at Lagunitas and O+Positive are sponsoring an awesome tour called Couchtrippin’ and it’s hitting Philadelphia on Feb 21st with a free show featuring Heartless Bastards. There are all sorts of awesome entertainment happenin’ at this event like a beer circus, side bands, green screen video booths and a ton...
  • 5 Films 50 Shades Deeper – Liz’s Picks

    While every lonely housewife and intellectually-repressed book club member in America flock to see the premier of 50 Shades of Grey, the adapted film of E.L. James’s book, I pull out of my bookshelf a copy of The Marquis De Sade’s Justine and say (pointer finger up): actually this came first. Already getting...
  • Tomorrow We Move to Hawaii and the “evocative and impulsive expressions” of Marianne Stranger

    2015’s best record yet hits shelves today, courtesy of relatively obscure Austin, TX indie label, Red Eye Transit.  And that record is Indépendance, the first full-length from Tomorrow We Move To Hawaii, an Oslo-and-Berlin-based duo comprise of Marianne Stranger and Eyvind Brox, whose sounds are as hard to pinpoint...
  • 5 Films 50 Shades Deeper: The Izzy Edition

    We at PHILTHY would hope that our readers know that we’re not exactly the type to shy away from (if not downright enjoy) a bit (or maybe more) of S&M (I mean, we’re called PHILTHY, for fuck’s sake.)  However, we’d like to think that we have at least slightly...
  • Blind Mr. Jones’ Tatooine, a Deeper Cut of Shoegaze

    Although shoegaze fans have had quite a bit of nostalgia (or… more accurately, “imagined nostalgia,” as most of them were unlikely there the first time around) to get excited about as of recently, between Slowdive reuniting last year, and Ride’s upcoming dates (their first in nearly two decades), but...
  • Concert preview: San Fermin live at Arden Concert Gild

    Arden Concert Gild presents one of my most intriguing and unique Brooklyn-based indie rock bands today, San Fermin, with opener White Hinterland on Saturday, January 31 at 8:30 pm. Get your tickets here. Enamored by the lush gorgeous arrangements of the debut album, a full production comes from a band pushing...
  • Zola Jesus… Confrontations and All

    Update: Within 5 minutes of this article going live Zola Jesus’ performance this Tuesday in Philadelphia was cancelled due to severe weather.  But please take the time to read my recent chat with her anyway. As a humanities professor and an unabashed cinephile, I feel a special bond with...
  • Lia Ices “Com[ing] out from behind the keyboard”

    I’m hoping that anyone who caught one of Phantogram’s two sold out appearances last year at Union Transfer is familiar with Lia Ices… The postmodern singer/songwriter, who was initially known for the slightly more traditional singing and songwriting found on her first two LPs, traded that sensibility for something...
  • Panda Bear mesmerizes an intimate crowd at MoMA PS1

    I wouldn’t normally consider imagery of three women vomiting, nude aliens, and a Grim Reaper as particularly beautiful, but when it complements Noah Lennox a.k.a. Panda Bear, it becomes a fascinating work of art. On Sunday night, some of Panda Bear’s biggest fans crammed into the geodesic VW dome...
  • Wild Child: “More like a family”

    Although I’m generally regarded as equal parts Gloomy Gus and Debbie Downer, I’d like to think that the coverage I do for PHILTHY MAG showcases that there are, indeed, a rather large handful of musicians that I feel a sincere affinity and affection for… And I do actually enjoy...
  • Future Islands generate a therapeutic dance party at Union Transfer

    There are two kinds of Future Islands fans: the “knew about them before Letterman” and the “became a fan after Letterman.” At this point it doesn’t matter which side you associate with, as long as you’re listening to them. While part of their success stems from the theatrical gyrations...
  • Kawehi: Evolution, Robots, and “New shit”

    Kawehi is a bit of an anomaly.  She embraces postmodern methods of putting out pop music (She’s a big fan of fan-funding and is most famous for her fan-requested covers of tunes by the likes of Radiohead, Nine Inch Nails, and The Supremes), but also embraces highly “academic,” socio-political...
  • PHILTHY’s Top 10 Musical Moments of 2014… According to a Child of the ‘90s

    I recently reached a milestone… I turned 30… That would seem to mean quite a few things.  I think it means I have to stop referring to myself as “a kid.”  It probably means I should stop wearing driving gloves as an accessory… as I’m not Joey Ramone… But...
  • Jon Crary’s Sound Off Top 40 Albums of 2014

    St. Vincent- St. Vincent : St. Vincent’s weird eponymous 5th release is my number 1 pick of the year – a statement about this year in music, her incredible songwriting, guitar wizardry and a choreographed live show are magnificent. The St. Vincent album is a world within a world. http://ilovestvincent.com/ Tracks to...
  • Springtime Carnivore’s “REALLY f***ing good” Debut

    A friend of mine recently received a text from me that read, “I know I’m TOTALLY jaded as a critic and hate ALL fucking music other than Belle & Sebastian and The Smiths, but this Springtime Carnivore record is REALLY fucking good.”  The record was Springtime Carnivore’s self-titled debut....
  • Via Tania in “A lighter, more playful territory.”

    Like so many of our favorite artists, Via Tania should be much more of a household name than it currently is.  Via Tania is the moniker of Tania Bowers, who has been making music professionally for more than two decades, first as a member of noisy indie outfit Spdfgh...
  • Another Side of Caitlin Canty… “With quieter sounds and lots of sorrow.”

    If you made it to legendary blues and folk singer/songwriter Chris Smither’s most recent Philadelphia appearance, at World Café Live this November, there’s a good chance that you got a chance to catch the organically-enchanting-to-the-nth-degree Caitlin Canty, who served as the evening’s opener.  Canty is a singer/songwriter of the...
  • The Grownup Noise: “Part survival, part falling in love”

    The Problem with Living in the Moment is not only my second favorite album title of 2014 (trailing only Moz’s World Peace is None of Your Business) but the concept resonates in a quite profound and scary way, as an art school graduate trying to balance a life dedicated...
  • Blue & Gold: “We bring the rock!”

    NYC’s Blue & Gold seamlessly blend my childhood’s musical obsessions with my adulthood’s love of the subversive and also acceptance of certain particularly delectable works well into realm of “pop.”  Their roots stem back to singers/guitarists Alex Kapelman and Chloe Raynes kicking out covers of songs originally belted by...
  • The Commitments of Chaos Chaos

    The last time PHILTHY MAG (which was, at the time, Philthy Blog) chatted with Brooklyn indie pop duo Chaos Chaos, in November of 2012, was more or less at the band’s inception.  Less than six months previous sisters Chloe and Asy Saavedra had announced the end of their “childhood”...
  • mr. Gnome’s Dealings with the Dark and the Light

    Although male/female duos of the indie rock persuasion have become a delightful cliché of recent years — and one that I’m highly guilty of indulging in – mr. Gnome are quite a bit more complex and satisfying than the average boy and girl who boast quirkily sing-along-able tunes based...
  • Holiday Festivities and a Century (?) of Landlady

    I’m not usually one for popular observances, or really celebrating of any manner – I recently spent my 30th birthday gifting myself a night on the couch with the Criterion Collection – however, this year has had me, uncharacteristically, partaking in the festivities, alongside many equally-fair-skinned and drastically-overly-enthusiastic fans...
  • Delaney Gibson and “Something more danceable.”

    Delaney Gibson is an artist that I’m really annoyed I hadn’t heard until a week and a half ago… Already on her third album, her latest LP, Tall Like the Tree, was released earlier this year.  I’ve described my favorite track, “Kiss,” as reminiscent of, “Kate Nash on a...
  • Bee Vs. Moth: “We’re not bound by lyrics”

    Austin’s Bee Vs. Moth, indeed, embody a few of my favorite things: An appreciation for film history and a communal collective of like-minded artists.  The band began in 2004 with bassist Philip Moody and drummer Sarah Norris.  Since then, the instrumental band has released three full-lengths, featuring an ever-expanding...
  • Catching up with Run River North… and The Folk Rocking Sextet’s Closing Thoughts on 2014

    LA-based folk rockers Run River North have gotten to be quite the friends of PHILTHY MAG over the past two years.  We first spoke with them about a year and a half ago, when they were recording their Phil Ek (Band of Horses, Fleet Foxes, Modest Mouse)-produced self-titled debut,...
  • Celebrine… Something Old and Something New…

    Earlier this week saw the release of the debut album from yet another brilliantly enchanting male/female electro-pop duo, Celebrine.  Celebrine are made up of Katya Logacheva and Ilya Dmitriev.  They hail from Moscow and their first LP, Happy Tears, blends distinctly 80’s elements of ethereal wave, synthpop, and goth-tinged...
  • The Atmosphere of Kid Moxie

    Kid Moxie may not yet be a household name, but when you have not only The Gaslamp Killer, but David Lynch’s musical half, Angelo Badalamenti, asking to contribute to your sophomore record, chances are that you’re pretty profound… in some manner or another… This Tuesday, December 2nd, sees the...
  • Skinny Puppy: Still Looking For Alternatives

    It was more than a bummer for Philly, or Philthy (a city with a history of subculture enthusiasts, with a special fondness for the electronically abrasive), to miss out on Skinny Puppy’s most recently scheduled area appearance, when the Industrial legends had to cancel their February show due to...
  • Scars on 45: “One thing we’ve always been and always continue to be is hard workers.”

    Although it’s no news to anyone that I’m not the biggest fan of festivities in celebration of American life, I must admit that there is some undeniable pleasure in sharing them with people of a foreign land… Yesterday I got a chance to chat with Scars on 45 vocalist/guitarist...
  • People Get Ready… And the Space They Embrace

    This Monday saw my generation’s simultaneously noisiest and dreamiest shoegazers, Blonde Redhead, play to an unfortunately sparse crowd at Union Transfer.  Despite the lack of a turn out, the New York City band’s set far from unimpressed, including a cross-section of the band’s catalogue throughout the past twenty years...
  • September Girls: “Lovely Ghosts”

    In nearly every piece of press they’ve received, September Girls’ sound has been characterized as “noise pop,” in addition to a seemingly obligatory, “Jesus & Mary Chain, but with_____.”  Comparisons to The Cure and MBV have also been aplenty.  However, their latest EP (the follow-up to the band’s debut,...
  • The Doors And Everything Your Parents Probably Don’t Understand About Them

    2014’s most pleasantly surprising home video release is undoubtedly Eagle Vision’s release of Feast of Friends on DVD and Blu-ray this Tuesday… The short documentary, shot in 1968 and produced by and about The Doors, is the quintessential cinematic documentation of the band at their peak of success… which...
  • The Sounds of Grumpy Cat’s Crappy Christmas

    Although I’m hearing about her for the first time this past Halloween… Apparently Grumpy Cat is a already pretty big deal… Grumpy Cat is an endearingly crabby kitty who went viral on YouTube and has, over the past two-and-a-half years, been featured on the covers of The Wall Street...
  • Rush Midnight

    Rush Midnight: “Neon lights inspired and The Visuals” -Interview/ Concert Review

    Brooklyn artist, Rush Midnight, took the stage on this cold and windy night where fans were in for a treat on South Street in Philadelphia on Sunday, November 2 at The Theater of Living Arts as openers for Canadian pop stars, Lights. Former talented Twin Shadow bass player, Russ Manning...
  • Another [Numerous] Side[s] of Frontier Ruckus

    One of my most pleasant musical surprises of 2014 was when Michigan’s Frontier Ruckus took the stage of Boot & Saddle this August… The band has been together for slightly over a decade now, churning out folksy, bluegrassy, country-shaded Americana roots rock… something I’ve become quite a fan of...
  • Chrissie Hynde… A Night in Her Veins

    Earlier this Fall I experienced my first arena show in more than six years… It turned out not to be something I had missed… However, sometimes I do crave a live experience with an icon of my youth… someone unlikely to find themselves on the stage of Johnny Brenda’s...
  • The Rural Alberta Advantage, Taking a Step Forward

    Toronto’s The Rural Alberta Advantage have always held a special place in my heart.  They were one of the first acts that I ever properly “covered” as a “music critic” and I still have the self-released DIY edition of their debut LP, Hometowns… in addition to the “official” version...
  • The “experimentation and wild aggression” of Nots

    It’s no secret that PHILTHY is a major fan of the sounds of Tennessee.  However, while we’re generally most focused on Nashville-based acts, our favorite Tennessee artist at the moment is Nots, based out of Memphis.  The four-piece is comprised of Natalie Hoffmann (guitar), Charlotte Watson (drums), Madison Farmer...
  • Meredith Sheldon… Putting Herself “Out There”

    Every so often I have an incredibly touching and meaningful interview and it isn’t because it’s with someone who was necessarily a personal idol of my adolescence, but because I get to chat with an undeniably admirable musician, who actually really seems to open up to me about their...
  • Oh Honey: Keeping it Positive

    Brooklyn indie folk pop outfit Oh Honey began just last year, yet they’ve already, in a sense, come full circle.  The quartet, whose core of singer/songwriter Mitchy Collins and vocalist Danielle Bouchard are rounded out by drummer Robbie Ernst and guitarist Ian Holubiak, was named for Collins’ favorite episode...
  • Mick and Keef: Slightly Older, Slightly Wiser, But Nearly as Much Fun as Ever

    If you’re a gen Yer who’s recently entered your third decade on the planet, I suspect that these November “From the Vault” releases of classic Rolling Stones performances might be the absolute perfect Christmas gift for your very favorite Coors-light-drinking uncle (who likely recently entered his sixth decade on this...
  • Ex Hex: ” ‘Wham Bam’….’People love Rock and Roll’ ”

    Ex Hex ROCKS: Plain and simple. There is no holding back the urge to jump around and play “raucous” air guitar and drums with a bit of glitter thrown in. My first connection with this power pop punk band, Ex Hex, was earlier this year fronted by Mary Timony...
  • Highasakite: “Everything has become more professional.”

    Over the past few years Norway’s Highasakite have become some of PHILTHY MAG’s favorite musical acts, international or otherwise.  I’d like to think we’ve also gotten to know them quite well.  We first chatted with vocalist Ingrid Helene Håvik in April of 2013, and then got the chance to...
  • Dum Dum Girls and “Some Extra Weird”

    Whether you’re planning on dressing up like a Basic Witch (The cutest costume idea I’ve heard all season, dreamt up by our lovely friend, Cristina Black.), a black-denim-and-leather-clad member of a girl gang (as I plan to dress), or a beloved character courtesy of Wes Anderson (as our LZ...
  • Preview: Fiancé and Soil & the Sun @ Arden Gild Hall 10/25

      The Arden Concert Gild will host two emerging indie rock bands this Saturday night October 25th at 8:00 pm, Fiancé and Soil & the Sun at The Gild Hall in Arden with opener, Maiden Names. The night is sure to be highlighted by some chill producing, updated and rocking...