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“Molly Lewis, professional whistler,” (as she’s characterized by NPR) is likely not quite a household name at this point, but there’s a reasonable chance that you saw Lewis last summer opening The Mann for Beck with the Philadelphia Orchestra or perhaps supporting Weyes Blood for her two nights at...
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“We would play the smaller venue for like a decade, and rolling our amps through the bigger venue, it was kind of like stinging. So, when our fate changed, it was such a milestone,” says Mother Mother vocalist, guitarist, and primary songwriter Ryan Guldemond (with whom I last spoke...
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This month marks 20 years since I moved to the City of Brotherly Love and Sisterly Affection. I was the typical suburban alternative teen, migrating to University of the Arts to study among likely the only fans of The Velvet Underground and Nick Cave hailing from upper-middle-class, yuppie-breeding...
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“The first album was vegetarian, this one’s an omnivore,” says SASAMI of her sophomore LP, Squeeze, which dropped last month on Domino. The singer/songwriter (who played synths in Cherry Glazerr from 2015-2018) is chatting with me via phone during a brief break between two headlining jaunts. Squeeze follows-up SASAMI’s...
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All three of our beloved boygenius girls are gearing up to play their biggest Philadelphia shows yet… Up first is Julien Baker, the youngest and emo-ist of the trio, who will be headlining Franklin Music Hall on September 15th (Phoebe Bridgers will be at the Skyline Stage at the...
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Sometimes it just takes a pandemic… For me, it took a pandemic to give a fair shake to what I’ve been calling Sleater-Kinney 2.0. Sure, Dig Me Out and One Beat soundtracked much of my coolest years, and I’d seen the riot grrrl, power trio numerous times at the...