The Fillmore

Last December Montreal indie rock outfit Stars treated the City of Brotherly Love and Sisterly Affection to a seasonal spectacular at World Café Live as part of their annual North American holiday shows.  The 24-song set included covers of Christmas classics by the likes of The Pretenders and The...

The last time the City of Brotherly Love and Sisterly Affection saw The Greeting Committee was just this February, when they headlined The Lounge at World Café Live after selling out the venue almost immediately.  However, the Kanas City indie rockers are already prepped for their return, when they...

Nashville-based Americana singer/songwriter Madi Diaz has played a handful of ginormous shows in the City of Brotherly Love and Sisterly Affection since the August 2021 release of History of a Feeling, her ANTI- debut, which NPR Music called, “freaking superb,” and which even earned a Tweet from Kathleen Hanna. ...

“We’re never really home for more than four days, so the line between home and road is really blurry,” Sammy Rae tells me during a recent phone chat.  Sammy Rae is the frontwoman of Sammy Rae & The Friends, a NYC group who blends classic rock, folk, jazz, musical...

This August Australian indie folk singer/songwriter Julia Jacklin released her third studio album, Pre Pleasure.  Building on the momentum of her 2016 debut, Don’t Let the Kids Win, and 2019’s Crushing, Pre Pleasure sounds to be the 8-time ARIA-nominated musician’s most intimate and unrestrained yet, and its critical acclaim...

Yesterday Ryan Guldemond, frontman of “Canada’s biggest alternative-rock band,” Mother Mother, premiered the debut single from GLDMTH, a solo art project that combines Guldemond’s music, photography, videography, and poetry, and whose self-titled debut LP is set to drop September 24th on Warner Records.  The song, “The People,” is somewhere...

“Just the cheesesteaks alone, for that, you must hit Philadelphia… and to run up the Rocky steps, although I’ve never done that myself,” says guitar legend Zakk Wylde during a recent phone interview in which he appeared far more of a jokester than his classic Rock N’ Roll caveman...

It’s hard to believe it’s been two decades since the emergence of Franz Ferdinand, about halfway between the death of Brit Pop and the mainstream popularity of what has come to be known as indie sleaze.  The post-punk revivalists hailing from Glasgow, who find themselves somewhere between the two,...

Although their third and latest LP (Entropy) came out in 2018, North Carolina folk-pop outfit The Collection have been dropping one-off pandemic singles for the past year-and-a-half, including “Blue Day,” “Loud,” “GET LOST,” and “Won’t Stop Yet,” which was released earlier this year.  The song, a charmingly irreverent anthem...