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We last saw NYC indie-poppers (and dear phriends of PHILTHY) Daisy the Great this past September when the duo headlined the 140-capacity Kung Fu Necktie — their most intimate stop in the City of Brotherly Love and Sisterly Affection in more than half a decade — on their first...
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“The first time I visited Philly I just remember there was a huge Carvana!” laughs Margaret Sohn, the New York-based, Korean-American electronic musician behind Miss Grit, referencing their first trip to Fishtown, which had Miss Grit opening The Fillmore for indie rock veterans Metric in October of 2022. The...
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Lindsey Jordan and Snail Mail hold an extra special place in my heart… not just because they’re phucking great, but because we hail from the same hometown of Ellicott City, Maryland (Also home of the nightclub scene in John Waters’ Female Trouble). The last time Snail Mail headlined the...
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Last week alternative/electro-pop trio Cannons kicked off the Afterglow Tour, a co-headlining jaunt with electronic duo Bob Moses, whose opening duties are being handled by Oxis, the marine electronica artist who you may have seen opening The Fillmore for Magdalena Bay last October (captured by our live photographer, Morgan...
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This Tuesday Chicago post-country quartet Ratboys released “Penny in the Lake,” the fifth and final single ahead of their sixth studio album, Singin’ to an Empty Chair, which drops today courtesy of the band’s new home, New West Records (also home to PHILTHY phriends Emily Nenni, Esther Rose, Jaime...
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This June, Montreal outfit NOBRO put on the City of Brotherly Love and Sisterly Affection’s best punk performance of the summer when they brought The Go For Broke Tour – a double-headlining run that had them sharing top billing with almost-equally rad Canadian punks Bad Waitress, in addition to...
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“As an Alaskan, I have a lot of thoughts on Thanksgiving,” says Portugal. The Man’s John Gourley, laughing, coyly admitting, “I never really believed in that holiday or the origins of the celebration.” However, during a recent phone chat, the indie rock band’s founder, primary songwriter, and only constant...
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LA’s marine-inspired electronic artist and producer, Oxis, performed at The Fillmore last Sunday night, supporting Magdalena Bay on the last stop of their Imaginal Mystery Tour. She played a variety of her songs released over the last two years, including her latest single, “Piranha,” a glitchy synth-layered track that...
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Our old phriends Magdalena Bay are gearing up for their third local headlining show this year, and their somehow “most intimate” yet, playing the 2,500-capacity Fillmore on Sunday, October 26th. However, we’re just as excited to see LA-based, marine-inspired Oxis, whos’s been opening the Imaginal Mystery Tour for the...
We last saw NYC indie-poppers (and dear phriends of PHILTHY) Daisy the Great this past September when the duo headlined the 140-capacity Kung Fu Necktie — their most intimate stop in the City of Brotherly Love and Sisterly Affection in more than half a decade — on their first...
“The first time I visited Philly I just remember there was a huge Carvana!” laughs Margaret Sohn, the New York-based, Korean-American electronic musician behind Miss Grit, referencing their first trip to Fishtown, which had Miss Grit opening The Fillmore for indie rock veterans Metric in October of 2022. The...
